The Masterworks series of the Omaha Symphony opened last night. We went to dinner ahead of the performance with our friend Ken, eating at Zinc, the restaurant in the Holland Performing Arts Center.

We had eaten there once before and it wasn't remarkable. This time we did enjoy it much more, though I over-ate. The mushroom bisque was good and the mac and cheese was nice, though not among the very best of gourmet macs and cheese that I've eaten. The portion size was too large as well. The dessert, a sweet potato and apple crumble, was very good, but I should have skipped it due to being too full.
I was excited to get seated for a couple of reasons. First, we have new seats this season. Last year we sat on the very front row, which was a lot of campy fun actually. Friends always knew when we were there! Plus we got to interact with the Maestro and exchange smiles and nods of greeting with the musicians. It was very nice to see upclose when Midori played the violin or when there were vocal soloists. But you couldn't see the whole orchestra and the coreography of sound I like to watch.
Our new seats were in the second level of the Orchestra and were very nice. Short people sat directly in front of us. The site lines were good (I could see the tympanists and harpists!) and the sound was very well-rounded.
The other reason I was glad to get seated was to see the program. This year First Central has an add in the program -- we are the only church to so advertise. And Michael and I were donors, so I was excited to see our names listed. Last year I was surprised to see no (or only 1-2) gay couples, instead of the more one saw in OKC, listed. It also made me feel like a philanthropist.
The program was entitled "Piano Romance" though the program notes were all about "Musical Fireworks," so that should have been the title.
They opened with a piece I was not familiar with, "Fireworks, A Celebration of Los Angeles" by Jerry Goldsmith. I really enjoyed it. Not too bombastic or dramatic, it was a nice opening for the season.
Next up were the fun and, at times, intriguing, "Symphonic Dances, Opus 64" by Edvard Grieg. I was enjoying the show, but finding it difficult to focus my mind, which kept mulling over Facebook changes and their implications -- more on that in the next post.
After intermission, during which we drank our cocktails and chatted with friends, was the amazing Brahms "Concerto No. 2 in B-flat Major for Piano and Orchestra." The soloist was Andrew von Oeyen, who was tall and skinny -- all legs and arms.

I don't think I've heard this piece live before, and it was a real treat. I was a little more able to focus and follow the actual performance. The third movement, the Andante, amazed me. The cello is as prominent as the piano in that movement, and our friend Paul Ledwon is the principal cellist. I did not know he had such a big piece to perform, but was really captivated. He played beautifully.
Frankly, that movement sounded like the piano and the cello were making love.
Recent Comments