A church member gave me a copy of a paper from the journal Current Anthropology entitled "A Hyperreal God and Modern Belief: Toward an Anthropological Theory of Mind" by T. M. Luhrmann. Here is the abstract:
This article argues that there is an epistemological style associated with much American evangelical Christianity that is strikingly different from that found in never-secular Christianities. This epistemological style is characterized by a playful, self-consciously paradoxical framing of belief-claims in which God's reality is both clearly affirmed and qualified. One can describe this style as using an "epistemological double register" in which God is described as very real -- and as doubted, in some way. The representation of God generated by this complex style is a magically real or hyper-real God, both more real than everyday reality and in some way fictive. The article goes on to argue that these epistemological features can be understood as generated by and generative of particular theories of mind. The article argues for the development of an anthropological theory of mind in which at least four dimensions are important: boundedness, interiority, sensorium, and epistemic stance.
Luhrmann claims that evangelicals because they live in a pluralistic "deeply shaped by the awareness of doubt' have developed a "deliberately playful, imaginative, fantasy-filled experience of God" that is unlike anything previously seen in traditional cultures. This is a supernaturalism that is "both vividly, concretely real and, at the same time, as playful as a kitten."
Luhrmann, who spent months engaging with members of the Vineyard Christian Fellowship, cites many examples of this playfulness. One of the most vivid is the pastor who encouraged church members to pour a cup of coffee for God and act as if they were sharing that morning ritual. God becomes the imaginary friend. Luhrmann argues that this playfulness requires the congregants to "straddle multiple epistemic frames simultaneously."
In a section I found some affinity with, partly because it draws from C. S. Lewis (as much I did not find affinity with the theology revealed in most of the article), to experience God, one has to "live that romance, to recover the imaginative vividness of childhood, and through that fantasy to feel alive once more." Or "You must go on a quest for God that is foolish and irrational not only in the eyes of the world but in your own." Notice the use of "quest," which I obviously enjoy. I too have defended the irrational aspects of faith, but more from the perspectives of Kierkegaard, Wittgenstein, Hauerwas, etc.
A concise conclusion is drawn, "It was as if people overreached to make what they reached for more real." Jamesian over-belief?
Luhrmann writes that the playfulness has developed because the congregants have to convince themselves to overcome the doubts that obviously confront them in a modern, pluralistic society. They know they have doubts, so the hyper-real, fantastical playfulness is supposed to move them beyond those doubts. She writes, convincingly that that is not the attitude of "never-secular Christianities" who have never had reasons to doubt their belief claims.
In the comments that follow the article, there is consensus that this is an important paper, even when the responders have some questions. One comment, by Rebecca J. Lester makes an interesting point, that what is at issue is not doubt in God, but "doubt in one's capacity to fully atune to God."
In the replies to the comments, Luhrmann makes another interesting point, "I do think that the dramatic and deliberately cultivated range in the use of God concepts by evangelicals may serve a functional role in helping to protect them from the skepticism they feel around them."
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